Backstage Review: ‘Hearts Like Fists’ at the Restless Artists Theater

Doctor X is a certifiable, industrial-strength nogoodnik making Abu Bakr al-Baghdadi look like Mary Poppins. She sees her face like a squirming bowl of worms. I have no idea what that means. Okay, let’s take it to mean that she does not see herself as a good looking gal. The love of her life (the nurse) has a face like a china plate. Maybe that means she has a face like a beautiful piece of Wedgewood china, like a creamy white cameo against a field of pale, delicate blue. Okay, that makes sense. Let’s go with that one, too.

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‘Son of a Buttcracker’ at Bruka Theater (Photos and Review)

Picture this; the date is 1815 in the Frankenstein Castle on the Rhine River in Germany. The family gathers for a holiday celebration, with all the peculiarities you would expect from a gathering at the Frankenstein’s Castle. Add to this the flavor of ballet and the thread of a classic Christmas tale, and you have this year’s “Son of a Buttcracker.”

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Reno Chamber Orchestra—Martin Majkut, Conductor, and Bella Hristova, Violin

Born in Bratislava, Czechoslovakia (now Slovakia), Majkut graduated from the State Conservatory and served as Assistant Conductor of the Slovak Philharmonic while earning his Ph.D. in conducting at the Academy of Performing Arts. While studying, he worked with the Slovak Philharmonic, Slovak Radio Symphony Orchestra, Slovak State Philharmonic and Slovak Sinfonietta.

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The Bolshoi in Cinemas—Le Corsaire

Pirates, slave girls, pashas, eunuchs, heroes, a spurned wife, damsels in love and in distress, flamboyant costumes, 120 dancers, a shipwreck (what’s a ballet without a shipwreck?), this ballet has them all. Originally done a century ago, based on a poem of the same name by Byron, and choreographed by Marius Petipa, Le Corsaire has been gloriously updated and rechoreographed by Alexei Ratmansky and Yuri Burlaka.

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Note-able Music Therapy Services Soothes The Soul

Music is magnificent! It soothes the soul. It tames the savage beast. It unites people of different countries and different philosophies. I don’t need to speak German to be captivated by a Beethoven symphony. I can be the smartest person in the world or have a room temperature IQ. Either way, I can be put at peace with man and God listening to an old Ella Fitzgerald recording.

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Backstage Review: ‘The Legend of Georgia McBride’ at the Brüka Theater

Casey is a happy-go-lucky guy who is employed at Cleo’s, a bar in Florida’s Panama City Beach in the panhandle. He earns his living, such as it is, as an Elvis Impersonator. He wears Elvis garb and lip-syncs to Elvis music. His life is about to change. Cleo’s is going down the financial toilet, and so is Casey’s career. Bar owner Eddie, desperate for more revenue, brings in two female impersonators, Tracy and Rexy, to replace him. It looks like he’s out of work.

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Backstage Review: Restless Artists Theater Opens Their New Season with ‘Election Day’

That’s what the Restless Artists Theater is doing, and a tip of the hat to them for it. They have announced their 2019/20 season chock-full of new plays by young writers. These are fresh faces with fresh voices. They are the writers of our new century. When we look back at the 21st Century and ask who its great playwrights were, the names will be drawn from this group. Our playwright Josh Tobiessen could very well be one of them.

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