Annie is a joy to watch; based on a once-famous cartoon strip, it emerged 40 years ago as a Broadway musical and later as a movie. The story is based on a little orphan girl (Annie) and her displeasure with her life. She even makes a half-hearted attempt to run away to change her life.
Little does Annie know, Oliver Warbucks is about to change her life. He is a Billionaire with political clout and a lonely life. The country is in a deep depression, and Oliver Warbucks is using his political influence in an attempt to make things better.
Molière’s audience was the French aristocracy and the king himself, Louis XIV, The Sun King. Perhaps a more accurate translation of the title would be The Hypochondriac. This would work better for Molière as he unmercifully ridicules the practice of medicine and the fools who pay for it.
To understand Noises Off it helps to know Murphy’s Law and O’Toole’s Commentary on Murphy’s Law aka O’Toole’s Corollary. Murphy’s Law says if anything can go wrong, it will. O’Toole’s Corollary says Murphy was an optimist. And if the purpose of theater is to hold a mirror up to ourselves so we can see clearly who and what we are then Noises Off tells us we are all doomed.
Our two heroes are 49-year-old Sterling and his 17-year-old niece Becky. Sterling is a recluse hiding out in a Costa Rican jungle far from any large city. He was a lawyer caught up in some nasty, illegal financial dealings. He claims ignorance of what happened except that some people were hurt and he made a lot of money. He was never involved in the firm’s financial dealings. He and his partner were put on trial. His partner went to jail for 15 years, but Sterling was acquitted. Nonetheless, he fled the shame of it all to a Costa Rican jungle years ago where he lives sparingly if comfortably. He takes daily walks in a labyrinth of his own design and construction. His labyrinth is where he goes to think things through and to heal his troubled soul. It is more understandable to him than the confusing, troublesome maze he left behind.
One of the thinkers forced to think by that catastrophe is a young talented British playwright Lucy Kirkwood. Her play The Children inspired by that nuclear catastrophe premiered in London in 2016 and in New York on Broadway in 2017. It will be performed by the Brüka Theater in Reno opening February 7th and running through February 29th.
Doctor X is a certifiable, industrial-strength nogoodnik making Abu Bakr al-Baghdadi look like Mary Poppins. She sees her face like a squirming bowl of worms. I have no idea what that means. Okay, let’s take it to mean that she does not see herself as a good looking gal. The love of her life (the nurse) has a face like a china plate. Maybe that means she has a face like a beautiful piece of Wedgewood china, like a creamy white cameo against a field of pale, delicate blue. Okay, that makes sense. Let’s go with that one, too.
Picture this; the date is 1815 in the Frankenstein Castle on the Rhine River in Germany. The family gathers for a holiday celebration, with all the peculiarities you would expect from a gathering at the Frankenstein’s Castle. Add to this the flavor of ballet and the thread of a classic Christmas tale, and you have this year’s “Son of a Buttcracker.”
This play is an ensemble piece, a fast-paced tragedy and comedy that will leave you touched by the humanity of it all and laughing uproariously at its comedy. But it is different from ordinary plays. Ordinarily, a play lays some groundwork by showing us the characters and the situation. Then the playwright builds some tension and some conflict. In the denouement at the end the conflicts and tensions are resolved, and all the loose ends are tied up. The play has a beginning, a middle, and an end.
Casey is a happy-go-lucky guy who is employed at Cleo’s, a bar in Florida’s Panama City Beach in the panhandle. He earns his living, such as it is, as an Elvis Impersonator. He wears Elvis garb and lip-syncs to Elvis music. His life is about to change. Cleo’s is going down the financial toilet, and so is Casey’s career. Bar owner Eddie, desperate for more revenue, brings in two female impersonators, Tracy and Rexy, to replace him. It looks like he’s out of work.